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Интеллектуальная Система Тематического Исследования НАукометрических данных |
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"Говорящие знаки" Модного века в авторском проекте Н.И. Страховастатья
- Автор: Зайонц Л.О.
- Сборник: Текст в тексте/Культура в культуре. Text within Text/ Culture within Culture
- Год издания: 2013
- Место издания: Centre of Excellence (Tartu) Tartu-Budapest
- Первая страница: 203
- Последняя страница: 218
- Аннотация: The present paper focuses on Nikolai Strakhov's satyre "Fashion's Correspondence" (1790). Strakhov's works went unnoticed by historians of literature, but ask scholars rom complementary fields, and you will discover a rare semiotic and culturological phenomenon. In the late 1780s Stkrakhov devoted all his energy to an ambitious literary project epitomising the "emblems" of the arbitrary Fashion and dissecting the latter into "eloquent symbols" of the great Fashion Age. "Correpondence" is a series of letters Fashion and her courtiers -- toiletware pieces, luxury and household items, decorative obejcts -- exchange with each other. Attributes of human life emerge in this book as the principal driving force of the 18th century as opposed to personality and spiritual identity. This idea was resonant with contemporary perceptions and profoundly intuitive in that it interpreted Fashion as a symbolic environment teaching society the "language" of Civilisation, whose opposite was the spontaneous and inimitable language of Nature. Fashion is interpreted by the author as a Text composed of material symbols, scattered fragments of what once used to be human personality.
- Добавил в систему: Зайонц Людмила Олеговна
Прикрепленные файлы
| № | Имя | Описание | Имя файла | Размер | Добавлен |
|---|---|---|---|---|---|
| 1. | Полный текст | Govoryaschie_znaki_Modnogo_veka.pdf | 637,5 КБ | 30 октября 2014 [ZayontsLO] |