ИСТИНА

Подготовка обзорной научной статьи по теме "Популярное как категория литературоведческого анализа" для публикации в научном журнале, издаваемом в Российской Федерации и включенном в одну из систем цитирования (библиографических баз) Web of Science, Scopus, Russian Science Citation Index (RSCI).

In recent literary studies, the category of ‘popular’ is used for the analysis of interrelations between a text, existing in a global socio-cultural context, reader’s subjectivity, and the imaginary, which mediates reading practices. In the 1980-the 90s, Yuri Lotman and Pierre Bourdieu’s semiotic-sociological interpretation of high and mass culture replaced the ideological understanding of these notions offered by Max Horkheimer and Theodore W. Adorno in the 1950-70s. Lotman and Bourdieu treated those categories as dialectically interconnected and defined by the opposition between aesthetic and economic value. They saw the field of mass culture as heterogenous, constituted of diverse audiences, genres, and logics of aesthetic response. Although the sociological perspective proved fruitful, it ignores literary poetics and sees literary texts as representations of their positions in the system of cultural production. The relative nature of the aesthetic response, its dependence on the reader’s experience, and the situational context of the reception are central for the socio-ethnographic approach to popular fiction. It was developed in the works by Janice Radway in the 1990s. She focused on readers’ communities whose members develop their own practices of reading and notions of cultural value. In the 2000s, the romantic interpretation of the reader as an autonomous producer of cultural values was criticized. In recent research, the problem of cultural hierarchies is discussed from the perspective of specific cultural imaginaries. Following Mikhail Bakhtin’s theory of dialogism, Fredric Jameson treats cultural oppositions as imaginary projections that are needed for the self-identification of different cultural agents. In contemporary literary studies, under the influence of cognitive turn in the humanities and studies of the imaginary, the focus is on the category of genre understood as a mental and social frame that influences the practices of aesthetic reception. In the article, we will give a historical and synchronic overview of contemporary research of the popular as a category of literary analysis.

Подготовка обзорной научной статьи по теме "Популярное как категория литературоведческого анализа" для публикации в научном журнале, издаваемого в Российской Федерации и включенного в одну из систем цитирования (библиографических баз) Web of Science, Scopus, Russian Science Citation Index (RSCI).

С 2018 года грантополучателем был опубликован ряд научных статьей в международных рецензируемых журналах по теме заявки, в которых разрабатываются различные аспекты исслдуемой проблематики.

Подготовлена обзорная научная статья по теме "Популярное как категория литературоведческого анализа" для публикации в журнале "Вестник Томского государственного университета. Филология".