ИСТИНА

To describe the contradiction, Wittgenstein suggests a peculiar "transcendental function": F (F), where F (ξ) = - ξ (ξ) is a “a shimmering concept”. In analyzing psychoanalytic practice, this function deepens into the reality of "dreams" or "visions," it moves into the past, into deeper layers of dreams. And this movement in the dream is marked by the appearance, disappearance and transformation of the characters. Jung analyzes dreams and visions of a woman who fell in hopeless love. In the first dream a musician appears, showing that the patient “loves love itself” – “the music of emotions”. Jung establishes the functional model of the psychological type of a patient in love: “Th – F” (Th – Thinking, F – Feeling, S – Sensation, I – Intuition) …but he does not apply a functional analysis to the autonomous figures of dreams. The functional structure of the figure – “FSThI”. The form mirrors the structure of the analysand’s psyche (“F – Th”| “Th – F”) and makes the “contact” possible. This moment of the appearance of function F(F). Aims: to create an analysis model for the functional structures of dream images, the logic of events and transformations. Method: a historical analysis, functional-typological and logical analysis. Results: development of methods for the philosophical analysis of practices of psychotherapy. Conclusions: the application of functional typology to dream images allows us to follow the logic of event lines, the transformation of the functional structure of the images, to determine the conditions of “contact” between the analysand and autonomous figures, which is the starting moment in the integration of the unconscious content. Key words: dream, structure, transformation.